The first reviews are in, and The Underground is a hit: “★★★★” … “Drama, poetry, live music, song, dance and acrobatics interweave into a raw […]

NITE did an interview and analogue photo session with me in March.  Here are a few excerpts: “I’m convinced that there’s never anything truly new […]

NITE premieres The Underground, an epic new interdisciplinary piece about failure, invisibility, unimportance, and futility.  I wrote the music and songs, which are performed onstage alongside […]

After years of creating, performing, revising, and recording this composition, my debut EP Broken Mirrors is out now on ArtekSounds […]

From printed newspaper critics to operaphile bloggers, reviews of the livestream premiere of The Mad King have been overwhelmingly positive […]

Slagwerk Den Haag and I will premiere Gods of Bird, my new 30-minute work for percussionists and live electronics, performed entirely on Atelier van Lieshout’s Early Bird sculpture […]

Press reviews and a live video of our new multidisciplinary music theater piece A Manual Towards the Truth are now online […]

With the Edge Ensemble, we will premiere our new soundtrack to F.W. Murnau’s silent film Sunrise at the EYE Film Museum and the Sounds of Silence festival […]

With baroque violinist Lucia Giraudo, we have just released our first track as switched, a new project channeling baroque dance music through a contemporary prism […]

A new music theater installation collaboration with multidisciplinary artist Robin Coops and percussionist Jonathan Bonny was selected for Silbersee’s SPR!TZL program […]

I’ll be presenting my first-ever solo show Broken Mirrors at pioneering Dutch festival Cross-linx this year, playing it 3 times per night in Amsterdam, Rotterdam, and Eindhoven […]

The Edge Ensemble’s new production The Wind was selected for the 2018 Classical:NEXT Showcase. After the excellent experience performing at the Club Showcase last year […]

This March I will join the Pacific Symphony Youth Orchestra (led by Roger Kalia) to premiere my new work Analog Intelligence, an orchestral reworking of ‘Dubstep’, ‘IDM’, and ‘Drum ‘n’ Bass’ […]

Classical:NEXT has put together an after-movie of our performance of Dance Suite in G at BIRD, as part of their Club Showcase last May […]

As part of an exhibition celebrating Dutch sculptor Auke de Vries’s 80th birthday, Slagwerk Den Haag asked me to compose a new work based on one of Auke’s concepts: a conversation between […]

This May the Edge Ensemble will premiere five freshly commissioned works inspired by games and human play. The new pieces from Genevieve Murphy, Ethan Braun, Christopher Fox, […]

Thea Derks — Music journalist and biographer of Reinbert de Leeuw — reviewed two concerts at the Cello Biënalle Amsterdam for Cultuurpers, including the premiere of my new fantasy-themed, […]

In collaboration with Slagwerk Den Haag and Club Guy & Roni’s Poetic Disasters Club, Music For Bars begins a 10-bar tour around the Netherlands this Autumn […]

The New York Times wrote a review of my new orchestral work Collective, premiered by the New York Youth Symphony at Carnegie Hall, led by Joshua Gersen […]